Painting Now, by Suzanne Hudson
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Painting Now, by Suzanne Hudson
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An international survey exploring the many ways in which painting has been re-approached, re-imagined, and challenged by today’s artists
Painting is a continually expanding and evolving medium. The radical changes that have taken place since the 1960s and 1970s―the period that saw the shift from a modernist to a postmodernist visual language―have led to its reinvigoration as a practice, lending it an energy and diversity that persists today. In Painting Now, renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of contemporary painting―a critical snapshot that brings together more than 200 artists from around the world whose work is defining the ideas and aesthetics that characterize the painting of our time. Hudson’s rigorous inquiry takes shape through the analysis of a range of internationally renowned painters, alongside reproductions of their key works to illustrate the concepts being discussed. These luminaries include Franz Ackermann, Michaël Borremans, Chuck Close, Angela de la Cruz, Subodh Gupta, Julie Mehretu, Vik Muniz, Takashi Murakami, Elizabeth Peyton, Wilhelm Sasnal, Luc Tuymans, Zhang Xiaogang, and many others. Organized into six thematic chapters exploring aspects of contemporary painting such as appropriation, attitude, production and distribution, the body, painting about painting, and introducing additional media into painting, this is an essential volume for art history enthusiasts, critics, and practitioners. 230 illustrations, 224 in color Painting Now, by Suzanne Hudson- Amazon Sales Rank: #321085 in Books
- Brand: Thames & Hudson
- Published on: 2015-03-10
- Original language: English
- Number of items: 1
- Dimensions: 11.40" h x 1.00" w x 8.70" l, .88 pounds
- Binding: Hardcover
- 216 pages
Review “A lively and well-illustrated survey of the disparate tendencies in international painting.” (Library Journal)“An intelligent and original overview of contemporary painting.” (Lurzer’s International Archive)“Focused and genuinely global in its selection.” (The New York Times Book Review)
About the Author Suzanne Hudson is Associate Professor of Art History and Fine Arts at the University of Southern California. Her previous books include Robert Ryman: Used Paint and Contemporary Art: 1989–Present, and she is a regular contributor to Artforum.
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Most helpful customer reviews
14 of 17 people found the following review helpful. Good for what it is, just not what I hoped for. By Jill Miller While this book includes many images of paintings, none of them are full page and a great majority of them are far too small to offer any meaningful insight into the paintings. This book is essentially a very well written and researched collection of essays about 6 distinct themes within contemporary painting practice. It would have been better to publish this as a softcover at half the price. Eventually, I will get this book, but I can't see paying what they are asking for it now. Buy it used one day or wait for it to be released as a softcover.
4 of 4 people found the following review helpful. Well written and insightful, highly recommended! By Theresa As a young painter, I found this book immensely helpful in terms of encapsulating current trends in painting and introducing me to many new painters and their practices. The book has beautiful, high-quality illustrations and an accompanying text by Suzanne Hudson. Most artists get a single paragraph, which makes the book useful as a reference to dip into, but the six chapters flow very well as essays. As art criticism goes, this is jargon-free and quite insightful, aiming at objectivity and considering each artist on their own terms.
2 of 2 people found the following review helpful. Got a few pages in and saw the name, ... By Amazon Customer Got a few pages in and saw the name, "Blake Rayne". Met this guy, attended one of his lectures, and realized he was out of his freaking mind. Oh and his art work is mediocre. Seeing his name immediately discredited the rest of the book for me.
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