Minggu, 13 Maret 2016

Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee,

Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott

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Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott

Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott



Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott

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This book tells of all the trials and heartbreaks that one woman, Teresa Farris, went through for years in pursuing a recording contract in Country music. It gives many 'inside' stories on the workings of record companies in Nashville, and how the industry really works.

Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott

  • Amazon Sales Rank: #692752 in eBooks
  • Published on: 2015-03-07
  • Released on: 2015-03-07
  • Format: Kindle eBook
Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott


Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott

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1 of 1 people found the following review helpful. Simply Amazing! By Lisa Moses A wonderful read. Teresa's honest account of how difficult the music business is and how it's not like we see on TV. Teresa has a voice as big as Heaven, and personality to boot. If you've not listened to her music, please do so, you will be feel the same way I did... What were they thinking? Some of the stories will shock you but THANK YOU Teresa for including them and giving women, not just the ones dreaming of a music career, but all women a voice in a man's world. I was sad to finish reading this book, I wanted to hear more stories. An absolute MUST read.

1 of 1 people found the following review helpful. An excellent insight into the Country Music industry. By Peach If you are an aspiring singer, or if you just love country music, this is the perfect book for you. Teresa Farris takes us inside the business of country music, where we meet the icons of Nashville, as well as the low life's and suits. Her story is a real roller coaster of hopes and dreams, disappointments and losses. Teresa is one of the great Country singers, who loves the music and performing with a passion. She tells her tale with wit and wisdom. Buy this book, I couldn't put it down.

1 of 1 people found the following review helpful. best book I have read in a long time. can't put it down. By Ava Barber Being honest about how the music business works.I would recommend this book to everybody and especially people considering the music business forA career.

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Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott

Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott
Music Row, Or, Death Row In Nashville: My Time Chasing a Record Deal in 'The Music City', Nashville, Tennessee, by Teresa Farris, Van Abbott

Kamis, 10 Maret 2016

Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor,

Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis

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Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis

Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis



Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis

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Secrets to Painting Beautiful Landscapes

Painting the landscape can be fun and rewarding--if you make the right decisions as you paint. After all, it is the artist's greatest challenge to somehow capture a sense of it all--the grandness, the majesty, the splendor of nature--with just a few strokes of paint on a canvas. Popular art instructor Johannes Vloothuis makes the process a whole lot easier with the essential techniques, key concepts and expert advice he shares in this book.

  • Learn straightforward strategies to make your paintings more interesting and dramatic, such as simplifying the foreground, composing with abstract shapes and harmonizing colors.
  • Discover speci?c techniques for painting landscape elements including mountains, water, foliage, snow and more.
  • 9 step-by-step demonstrations walk you through all the techniques necessary to create successful landscape paintings.
Landscape Painting Essentials is packed with practical information. You'll make the critical shift from painting what you see to painting as an artist sees. You'll learn to strategically edit shapes, rearrange elements and enhance color. You'll gain a better understanding of what to include in your painting, what to change and what to leave out. Most importantly, you'll gain the skills necessary to turn nature's bounty of inspiration into original, stunning landscape paintings.

Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis

  • Amazon Sales Rank: #273533 in eBooks
  • Published on: 2015-03-24
  • Released on: 2015-03-24
  • Format: Kindle eBook
Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis

About the Author

Johannes Vloothuis has exhibited his work in museums all over the world such as Saint Petersburg, Sao Paolo and The National Watercolor Museum in Mexico City where he won the top award in the country. He is an official art instructor for the publishers of Northlight books and several well known art magazines. Northlight categorizes him as a "master painter". Johannes has also taught over 15,000 thousands of artists of all skill levels, including professionals via his online courses.


Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis

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17 of 17 people found the following review helpful. Surprised By How Useful This Is By Skimmer I just watched part of my first webinar with Johannes Vloothuis, somewhat skeptically, I admit, as Northlight is so vigorously marketing him right now. I didn't want a slick commercial artist approach. I admit, I learned,was glad I watched, and will likely go back for the parts I missed. I took a chance ordering this book, before the webinar. Even though it just arrived today, I can safely say it looks to become one of my most valuable art instruction books. It is not for a beginner, in the sense that it doesn't teach how to do a wash, and how to mix colors, and those sorts of elementary things found in most other books. What I am finding instead is solid and very useful instruction on every page that I can immediately put into my paintings to strengthen them. It is answering a bunch of questions I've mulled over, and only found more general help with. It is helping me identify clearly my weaknesses--where, and why, and how to correct them. Many of the principles are also applicable across the board of graphic arts. I do not have a small art instruction library. It covers oils, watercolors, acrylic, oil pastels, chalk pastels, colored pencils, graphite, ink, drawing, markers, color theory, abstract painting, polymer clay, mixed media,photography, and more. So it is saying a lot when I say this is one of the most helpful books I now own. It isn't teaching me how to paint like Johannes Vloothuis. It is teaching me how to paint a lot better like me. I am so glad I decided to take a chance on it.

16 of 17 people found the following review helpful. Great for book for improving your work. By Nick A. Ericksen This is a compilation of many years of study and practice by Johannes who shares what he has been taught, read, discerned, and learned through application. Very good reference and I'm glad that I added it to my library.It is an excellent book for beginner and intermediate. It is written in a pragmatic, practical style that allows you to think through the concepts and apply them to your projects. You will be able to achieve better results in your paintings--regardless of the medium by adhering to the principles being discussed.

12 of 12 people found the following review helpful. Not for absolute beginners in art By Claudia Lenoir This is not a book for those completely unfamiliar with basic art principles such as line, value, etc.I can draw, but know little about composition and color theory, and want to paint landscapes. This author presents concepts I had no familiarity with, such as improving upon nature's color scheme, not strictly copying ref photos because eyes don't see the way cameras do (visual vs photographic perception, the need to simplify foregrounds, avoiding cloned shapes etc.Demonstrations make clear what the author is teaching.This is book is perfect for those who can draw but want to learn landscape painting.

See all 37 customer reviews... Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis


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Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis

Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis
Landscape Painting Essentials with Johannes Vloothuis: Lessons in Acrylic, Oil, Pastel and Watercolor, by Johannes Vloothuis

Rabu, 09 Maret 2016

A Sense of Urgency, by John P. Kotter

A Sense of Urgency, by John P. Kotter

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A Sense of Urgency, by John P. Kotter

A Sense of Urgency, by John P. Kotter



A Sense of Urgency, by John P. Kotter

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True urgency is a gut-level determination to move and win, now.

It’s practitioners are unusually alert. They come to work each day determined to achieve something important, and they shed irrelevant activities to move faster and smarter. Those with a sense of urgency are the opposite of complacent―but they are not stressed-out and anxious, generating great activity without much productivity. Instead, they move boldly toward the future―sharply on the lookout for the hazards and the opportunities that change brings.

Bestselling author and business guru John Kotter knows about urgency. “Raising urgency” is the first step in his enormously successful eight-step framework, first articulated in Leading Change. But as Kotter illustrates, increasing urgency is the toughest of the eight steps, and the one without which even the most brilliant, high-powered initiatives will sputter and die. More importantly, as we transition to a world where change is continuous―not just episodic―he shows how urgency must become a core, sustained capability.

With vivid and powerful stories, Kotter reveals a distinctive view of the kind of urgency needed in every organization. He also highlights the insidious nature of its nemesis, complacency, in all its guises. He explains the crucial difference between constructive true urgency, and the frantic wheel spinning that is so often mistaken for urgency. He provides key tactics for increasing urgency, as well as exposing and rooting out complacency, with chapters on:

•Bringing the outside in•Behaving with urgency every day•Finding opportunity in crises•Dealing with “NoNos” or naysayers

A Sense of Urgency is a powerful tool for anyone wanting to win in a turbulent world that will only continue to move faster.

A Sense of Urgency, by John P. Kotter

  • Amazon Sales Rank: #1331625 in Books
  • Brand: Kotter, John P./ Weideman, Bill (NRT)
  • Published on: 2015-03-10
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .50" w x 5.25" l,
  • Running time: 5 Hours
  • Binding: MP3 CD
A Sense of Urgency, by John P. Kotter

From Publishers Weekly Author and international business consultant Kotter (Leading Change, Our Iceberg is Melting) returns with an engaging look at companies that need to overcome a lack of urgency-or a surfeit of complacency-with a proactive agenda. Kotter dissects well his seemingly simple premise, using his professional experiences to examine the inner workings of real companies. Kotter defines his terms with clear language and bullet lists, convincingly asserting that urgency "is not driven by a belief that... everything is a mess but, instead, that the world contains great opportunities and great hazards"; it is, in fact, "a compulsive determination to move, and win, now." Among suggested tactics: bring the outside world into overly insular work teams; make your deeds consistent with your words; view crises as potential opportunities; and disseminate data that "feels interesting, surprising, or dramatic," as opposed to "information so antiseptic that it flows in and out of short-term memory with great speed." Great examples illustrate real-life frustrations and successes, and a special section on dealing with the nay-sayers is full of practical ploys to overcome dissent and kill complacency. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist *Starred Review* Change can strike fear in the hearts and minds of businesspeople, whether frontline employee or C-suite executive. Harvard Business School professor Kotter is the master of change, hammering home his eight principles straightforwardly (Leading Change, 1996) and via fable (Our Iceberg Is Melting, 2006). Now Kotter identifies the single biggest factor to successful change, which also happens to be his number-one principle: creating a true sense of urgency. In a way that will resonate with those charged with carrying out new corporate strategies or implementing transformation, he details one streamlined strategy—appeal to the head and the heart—with four supporting tactics: bring the outside reality in, behave with true urgency every day, selectively look for upside possibilities in crises, and effectively confront what he calls the no-no’s. Stories accompany all; unfortunately, a number are repeats from The Heart of Change (2002) and stripped of detail for confidentiality. Charts and chapter summaries help connect theory to the practical question: How do we move people to act? An easy, quick read that provides good elucidation of what makes change work. --Barbara Jacobs

Review But now a distinguished author says that what so many of us really lack is a sense of urgency. Is this guy for real? He is. John Kotter, emeritus professor at Harvard Business School, has a clear and simple message...This succinct book has a gentle, unhurried tone, but its message is insistent, relentless and urgent. --The Financial Times, September 24, 2008Instilling urgency in employees is critical to getting organizations to switch directions--it's just that arguing the business case using facts alone won't create that urgency, says Kotter. Rather, you have to tug at people's heartstrings. Instead of showing them your case on PowerPoint, for instance, tell a story. That's one of many on-target suggestions on how to make people truly want change in the latest from this author of several books about leadership. --Entrepreneur.com, September 2008Kotter's new book, A Sense of Urgency, is excellent. It is stimulating, a thoughtful extension of his work, filled with actionable and practical tools for creating the kind of productive urgency that contributes to successful change. --Fast Company, September 11, 2008


A Sense of Urgency, by John P. Kotter

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50 of 54 people found the following review helpful. Changing the idea of change management By Mark P. McDonald A Sense of Urgency is a book that is sorely needed in today's times as the difference between urgency and change will make the difference between survival and liquidation in today's economy. Executives need to recognize the difference between the two. Urgency creates a motivating force on results and teaming. Change is imposed from above, the subject of skepticism and Dilbert cartoons.Every organization needs to change, that is commonly understood and the subject of endless books, including those by John Kotter. We have become complacent in our approaches to change management as every one of those books deals with change as a process, an event something that happens and then happens again at a latter date. This gives executives the belief that there is a change management recipe, based on principles like the burning platform, communication, and executive sponsorship. That recipe has lost its meaning and its time for use to change the approach to change management.I recommend this book to any executive, manager, team leader, and concerned professional as a way for them to lead and create results in a powerful way. The book is easily read over a weekend, a couple of airplane rides, etc. The charts and tools are clearly presented and actionable. Overall a must read part of any management library.Why? Because change has lost its potency. It's become routine and we have lost sight of its fundamental roots. Change and enterprises have become internally focused, concerned with themselves, their processes, their investments etc.Kotter reminds us that the root of success involves sense of Urgency. Urgency is the highly positive and focused forces that give people the determination to move and win now. It's a simple definition but one that is powerful and well executed throughout the book.A sense of urgency is a focused book concentrating on the actions and practices involved in creating and sustaining a sense of urgency. Kotter provides four core tactics for driving urgency into an organization. These tactics are supported by anecdotal stories and detailed tools which make the book actionable and practical. The tactics are:' Bring the outside in' Behave with urgency every day' Find opportunity in crisis' Deal with NoNo'sThis can give the reader the sense that there is `a recipe for urgency' and I guess that is unavoidable, but internalizing the books message you can readily get a sense of how this all fits into your context.The strengths of the book centered on its clear and focused organization of these ideas in a way that Executives can easily read on a plane ride or afternoon and apply these practices right away. Kotter accompanies each Urgency Tactic with the details that not only make it real, but also really applicable. Here is a detailed example for the first tactic:Bring the outside in:a. Recognize the pervasive problem of internal focusb. Listen to customer-interfacing employeesc. Use the power of videod. Don't always shield people from troubling datae. Redecoratef. Send people outg. Bring people inh. Bring data in, but in the right wayi. Watch out that you don't create a false sense of urgencyEach sub tactic contains a focused page and a half discussion of what they are and how leaders can implement the idea. This detail and its presentation is what really distinguishes the book and brings something new to the debate.The book's primary weakness is that it is not specific in their examples. There are discussions of nondescript companies that dilute rather than support the messages. Most of the case stories do not have a conclusion - the results companies were able to achieve. This makes the examples more fables that case studies. It's really a shame as strong specific stories are the one thing that is missing that would make this a killer book.Finally, there are some surprising gaps in the book that by themselves do not diminish the book, but in total they certainly take away from its power. First the book does not recognize that there are other approaches to change management and urgency. This denies the reader the ability to put A Sense of Urgency in the context of the broader literature. This is really unfortunate as this book should replace some ideas and enhance others - Kotter leaves that up to the reader rather than providing a recommendation. Second, the book has no index, which not only makes it tougher to use after the fact, but also is a silly omission.

25 of 26 people found the following review helpful. Are You Creating a Real Sense of Urgency in Your Ministry Setting? By George Bullard John Kotter is author of the now classic business book, Leading Change, published in 1996 and still a bestseller. In that previous book he suggested eight steps in leading change. The first of these was to develop a sense of urgency.As a follow-up Kotter has written A Sense of Urgency. In this 2008 book he clearly makes his point in the six page preface and the first three chapters that take up 61 of the 196 total pages of primary text. That is all you need to read to benefit from his VIP's [short for very important points].Here are some of the VIP's:*The single biggest error people make when they try to craft change is they do not "create a high enough sense of urgency among enough people to set the stage for making a challenging leap into some new direction." [viii]*Our biggest challenge is complacency. "We underestimate its power and its prevalence." [4]*Our second biggest challenge is a false sense of urgency. "A false sense of urgency is pervasive and insidious because people mistake activity for productivity." [9]*To increase a true sense of urgency, "create action that is exceptionally alert, externally oriented, relentlessly aimed at winning, making some progress each and every day, and constantly purging low value-added activities--all by always focusing on the heart and not just the mind. [60]To create a real sense of urgency I entreat you to go forward and do likewise. What is your first step to create a real sense of urgency in your congregation or other ministry setting?[...]

41 of 48 people found the following review helpful. How to solve "the number-one problem" with workforce performance By Robert Morris Years ago, Stephen Covey suggested that many (most?) executives spend too much time on what is urgent and not enough on what is important. In Chapter 1 of this book, John Kotter suggests that, in fact, the problem is that many (most?) workers -- including executives -- do not have "a true sense of urgency [that is a] highly positive and highly focused force [and] the result of people, up and down the hierarchy, who provide the leadership needed to create and re-create this increasingly important asset. These sorts of people use a strategy that aims at the heart as well as the mind. They use four sets of tactics." Kotter devotes the balance of his book to explaining what the strategy and tactics are, why they are essential to the success of individuals as well as to the success of their organization, and how those who read his book can execute the strategy and tactics to achieve the given objectives, whatever they may be.As I read this book, I was reminded of recent research conducted by the Gallup Organization indicating that 29% of the U.S. workforce is engaged (i.e. loyal, enthusiastic, and productive) whereas 55% is passively disengaged. That is, they are going through the motions, doing only what they must, "mailing it in," coasting, etc. What about the other 16%? They are "actively disengaged" in that they are doing whatever they can to undermine their employer's efforts to succeed. They have a toxic impact on their associates and, in many instances, on customer relations. These are stunning statistics. How to explain them? Reasons vary from one organization to the next. However, most experts agree that no more than 5% of any given workforce consists of "bad apples," troublemakers, chronic complainers, subversives, etc. How to get as many as possible among the other 50% to become positively engaged?It is important to note that, for many years, Kotter has conducted rigorous and extensive research of his own on employee engagement and has a wide and deep range of hands-on experience with hundreds of major corporations that were either planning change initiatives or had only recently embarked on them. In three of his published works (Leading Change, The Heart of Change with Dan Cohen, and Our Iceberg Is Melting), he explains why more than 70% of change initiatives fail. "The number-one problem [organizations] have is all about creating a sense of urgency - and that's the first step in a series of actions needed to succeed in a changing world...Winners first make sure that a sufficient number of people feel a true sense of urgency to look for an organization's critical opportunities and hazards now." It is not that Kotter disagrees with Covey. On the contrary. If I understand what Kotter shares in this book, one of his key points is that workers must devote most of their time to what is most important...and do so by creating and recreating "a true sense of urgency" at all levels and in all areas.In this context, I am reminded of a hospital emergency room. Its success requires adequate resources as well as a highly skilled staff with cross-functional capabilities. All of its members share "a true sense of urgency" when responding to all manner of health crises. More often than not, they are treating strangers about whom they know little (if anything) and sometimes must deal with a life-or-death situation. There is no time for complacency. Everyone must be fully engaged. For the ER team to be successful, its members must be both intellectually and emotionally committed to assist those entrusted to their care. There is no place on the team for anyone who is unwilling and/or unable to accept these responsibilities. Kotter's point (and I wholeheartedly agree) is that no team can succeed unless and until each of its members feels as well as understands "a true sense of urgency" and that is as true of executives and those on the shop floor as it is of ERs. "Get that right and you are off to a great start. Get that right and you can produce results that you very much want, and the world very much needs."The other three tactics are best revealed within Kotter's narrative, in context. Now I wish to shift my attention to some material in Chapter 6 as Kotter discusses two perspectives on the nature of crises. "The first group, by far the larger, sees crises as horrid events, and for obvious reasons." Therefore, every effort is to avoid them or at least to prepare for them with comprehensive plans for crisis management and damage control. "A very different perspective on the nature of crises is described with the metaphor of a `burning platform.' In this view, crises are not necessarily bad and may, under certain conditions, actually be required to succeed in an increasingly changing world." Which perspective is correct? "Neither," Kotter responds, and then he explains various downside risks of a damage control mind-set or when using a crisis to reduce complacency and create. Again, what he recommends is best revealed within the narrative. However, I want to reassure those who read this brief commentary that Kotter fully appreciates the potential value of that contingency planning and crisis management. (He is a world-renowned expert on both.) He also clearly aware of problems that could occur when crying "Wolf!" in the absence of such a threat. In this context, his objective is to help his reader to understand how and why there are times when judicious use of created crisis can be appropriate. That said, "any naiveté about the downside risks can cause disaster" and for that reason, he identifies and briefly discusses four "Big Mistakes" (Pages 136-141) and then suggests that crises can be used to create true urgency if eight principles he recommends are followed. (Please see Pages 142-143.) In a world in which change is the only constant and seems to be occurring at an every-increasing velocity, Kotter notes that "finding opportunities in crises probably reduces your overall risk." It seems to me that in this chapter, Kotter explores a previously neglected dimension of crisis of management, and once again, he indicates still other applications of the eight-step pattern introduced in the aforementioned earlier books, Leading Change, The Heart of Change with Dan Cohen, and Our Iceberg Is Melting.In Chapter 9, he shares his thoughts about how to sustain a high sense of urgency in an organization. That is indeed a major challenge, especially when thinking in terms of doing so throughout an entire enterprise. Obviously, leadership is needed at all levels and in all areas. "The ultimate solution to the problem of urgency dropping after successes is to create the right culture. This is especially true as we move from a world in which change is most episodic to a world in which change is continuous." Completing that transition is never easy but is far easier in what Kotter characterizes as "the right culture." Although significantly different in most ways, all high-performance companies seem to have a culture in which a majority of those involved take pride in what they achieve but are convinced that there is always room for improvement, that they can always do better. They are never satisfied. They view mistakes, errors, detours, dry wells, blind alleys, etc. as valuable learning opportunities. Their change initiatives to sustain improvement tend to be customer-driven and with, you guessed it, "a true sense of urgency."Is this also true of your culture? If not, I urge you to read this book first and then each of the other three (Leading Change, The Heart of Change with Dan Cohen, and then Our Iceberg Is Melting) to prepare yourself to attract and engage others in urgently needed change initiatives. If not now, when? If not you, who?Meanwhile, tick tock, tick tock, tick tock, tick tock....

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A Sense of Urgency, by John P. Kotter

A Sense of Urgency, by John P. Kotter

A Sense of Urgency, by John P. Kotter
A Sense of Urgency, by John P. Kotter

A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman

A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman

From now, discovering the finished site that offers the completed books will certainly be lots of, yet we are the trusted site to visit. A Quick Start Guide To Budgeting: Ten Inspiring Budget Tips, By Peter Coleman with simple link, simple download, and also completed book collections become our excellent solutions to obtain. You can locate as well as make use of the perks of picking this A Quick Start Guide To Budgeting: Ten Inspiring Budget Tips, By Peter Coleman as everything you do. Life is always creating and also you require some brand-new book A Quick Start Guide To Budgeting: Ten Inspiring Budget Tips, By Peter Coleman to be reference constantly.

A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman

A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman



A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman

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Do you want to start Budgeting or do you need a fresh approach? Use a Quick Start Guide to Budgeting to create the basis for your Budget plan with your own Personal Balance sheet. One of the Budget tips in this guide is on Patience. Patience is not just a virtue, but it is one of the best budgeting tips. Do not expect to see immediate result from your Budgeting efforts. It takes some time to learn, and to change your mind set. Buying this Quick Start Guide to Budgeting shows you are on the right way! Your Balance Sheet In the first part of this book you will learn how to make an Balance sheet from scratch. A fresh start with an empty sheet. The Basics of Budgeting are explained with an example in Excel. With a few simple calculations everyone can make his Balance fit. Ten Inspiring Budget Tips The second part is a bundle of Ten Inspiring Budget Tips, from Peter Coleman’s weblog at Help Cash America. From simply being Patience, to potentially life changing choices such as Quit Smoking or Starting to prepare a healthy lunch every day. The Ten Topics are the following; 1. Learn how to Cook 2. Stay in Control of Weight & Budget 3. Drive Safe and Save! 4. Go for a Walk 5. Take Your Lunch To Work 6. Quit smoking 7. Reduce Personal Care Expenses 8. Keep your Cards at Home 9. Visit Minor League (Baseball) Games 10. Be Patient and Wait for it Buy a Quick Start Guide to Budgeting and start with your personal Budget plan. Even on a small Budget, Big changes are possible. The smallest Budget can be converted from growing Dept to increasing Wealth.

A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman

  • Amazon Sales Rank: #2409369 in eBooks
  • Published on: 2015-03-19
  • Released on: 2015-03-19
  • Format: Kindle eBook
A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman

From the Inside Flap In this Guide I explain why it is important to create your own Balance sheet and start tracking your Income and Expenses for a couple of months. You will create your Monthly Financial overview from scratch, and learn how to set up your Balance Sheet in Microsoft Excel. The Basics are shown with an example and simple Calculations give insight in your Balance. After the practical part, you find ten Inspiring Budget Tips to help you stay on track with your newly created Budget.

About the Author Peter H. Coleman (1974, Miami) is  Author and Personal Financial Planning Coach for Help Cash Int. Peter writes weblogs about Budgeting for Help Cash America.


A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman

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0 of 0 people found the following review helpful. Easy read with clear simple example By Bigfish An easy to read guide. Not too complicated and comes with a clear and simple example.

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A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman
A Quick Start Guide to Budgeting: Ten Inspiring Budget Tips, by Peter Coleman

Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

Sama Alshaibi: Sand Rushes In (First Book), By Alfredo Cramerotti. Adjustment your routine to put up or throw away the moment to only chat with your good friends. It is done by your everyday, don't you really feel tired? Currently, we will reveal you the new routine that, really it's a very old behavior to do that can make your life a lot more certified. When really feeling bored of consistently chatting with your buddies all free time, you could find guide qualify Sama Alshaibi: Sand Rushes In (First Book), By Alfredo Cramerotti and after that read it.

Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti



Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

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Sama Alshaibi: Sand Rushes In, the first book by this rising artist, presents work from Silsila, a video and photographic installation that premiered at the 2013 Venice Biennale, as well as other series. Alshaibi's lyrical multimedia work explores the landscape of conflict: the ongoing competition for land, resources and power in West Asia and North Africa, and the internal battle for control. Additional material, selected from the artist's series Negative's Capable Hands, Collapse and Thowra, is presented in the context of "Silsila," meaning "chain" or "link" in Arabic. The desert, border and body are of the geopolitical issues and histories used by the artist, linking the Arab-speaking world. Alshaibi operates between the United States and West Asia/North Africa, with much of her work inspired by and shot on site in landscapes from the western Sahara of North Africa to the eastern Arabian Desert on the edges of Iraq―highlighting the contrast between desert and oasis.

Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

  • Amazon Sales Rank: #2289401 in Books
  • Brand: Alshaibi, Sama (PHT)/ Hughes, Isabella Ellaheh (EDT)/ Mikdadi, Salwa (FRW)/ Cramerotti, Alfredo
  • Published on: 2015-03-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.80" h x .90" w x 9.80" l, .92 pounds
  • Binding: Hardcover
  • 112 pages
Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

About the Author Alfredo Cramerotti is a writer, curator, and artist based in Wales.


Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

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1 of 1 people found the following review helpful. Stunning By Sharon Gingerich These are amazing pictures of parts of the world that I may never see and are very fragile. Within the scenery, humans are accessories, little bits of cultures that are ancient.

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Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti
Sama Alshaibi: Sand Rushes In (First Book), by Alfredo Cramerotti

Jumat, 04 Maret 2016

How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda

How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda

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How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda

How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda



How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda

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A detailed guide which will teach you how to tell an authentic moldavite from an imitation even if you have only a photo of the stone. It is a detailed guide both for laymen and professional gemologists. In this book you will learn how to recognize natural raw and cut moldavites, moldavites from Besednice, rare forms and even how to verify the authenticity of a gem in jewelry. This book contains more than 100 quality photographs. Content What to generally look out for What you will need How to recognize a real cut moldavite How to recognize an authentic raw moldavite A moldavite from the locality of Besednice - how to recognize a real “hedgehog” from a fake one. How to recognize hand-made glyptic sculpture in natural moldavite How to recognize an authentic tumbled moldavite How to recognize authentic moldavites if they are completely broken How to recognize authentic moldavite dust How to recognize an authentic two-coloured moldavite How to recognize a fake and an authentic moldavite in jewellery A gemologic test of authenticity of moldavites Appendix A. Gemological laboratories Appendix B. Chemical composition of moldavites

How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda

  • Amazon Sales Rank: #555610 in eBooks
  • Published on: 2015-10-30
  • Released on: 2015-10-30
  • Format: Kindle eBook
How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda


How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda

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0 of 0 people found the following review helpful. Good investment if you are planing purchase of a moldavite By Amazon Customer Easy to understand detailed description how to tell a real moldavite (raw, faceted, from Besednice, in jewelry, etc.). I bought a fake moldavite a half a year ago. Now I know how to identify a fake moldavite even from photography...

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How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda
How to identify genuine moldavites and moldavite fakes: Ultimate guide, by Frantisek Funda

Rabu, 02 Maret 2016

We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds

We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds

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We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds

We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds



We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds

Ebook PDF We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds

Richard Rodgers and Lorenz Hart are one of the defining duos of musical theater, contributing dozens of classic songs to the Great American Songbook and working together on over 40 shows before Hart's death. With hit after hit on both Broadway and the West End, they produced many of the celebrated songs of the '20s and '30s--such as "Manhattan," "The Lady is a Tramp," and "Bewitched"--that remain popular favorites with great cultural resonance today. Yet the early years of these iconic collaborators have remained largely unexamined.We'll Have Manhattan: The Early Work of Rodgers & Hart provides unprecedented insight into the first, formative period of Rodgers and Hart's collaboration. Author Dominic Symonds examines the pair and their work from their first meeting in 1919 to their brief flirtation with Hollywood in the early 1930s as they left the theater to explore sound film. During this time, their output was prodigious, progressive, and experimental. They developed their characteristic style and a new approach to musical theater writing that provided the groundwork for the development of the Broadway musical. Symonds also analyzes the theme of identity that runs throughout Rodgers and Hart's work, how the business side of the theater affected their artistic output, and their continued experimentation with a song's dramatic role within a narrative.We'll Have Manhattan goes beyond a biographical or historical look at Rodgers and Hart's early years--it's also an accessible but authoritative study of their material. Symonds documents their early shows and provides deft critical and analytical commentary on their evolving practice and its influence on the subsequent development of the American musical. Fans of musical theater and devotees of Rodgers and Hart will find this definitive exploration of their early works to be an essential addition to their Broadway library.

We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds

  • Amazon Sales Rank: #945230 in Books
  • Published on: 2015-03-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x 1.30" w x 9.40" l, 1.30 pounds
  • Binding: Hardcover
  • 360 pages
We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds

Review "The author succeeds in all respects...a fulsome balance of history, biography, musicology, and analysis that will help readers understand the two men's contribution to the establishment of an integrated musical form. Essential" --Choice

"...[A] meticulous exploration of a songwriting duo..." - New York Times

"Mr. Symonds' enthusiasm for early Rodgers and Hart is, if anything, equal to their own gusto." - Washington Times

"In We'll Have Manhattan: The Early Work of Rodgers and Hart, Dominic Symonds deftly explores the period from 1919 to 1931 when the celebrated team did their chronological and artistic growing up. Impeccably researched and sensitively written, this essential book offers detailed but accessibly presented musical and lyrical analyses as well as insights into two young geniuses as they were becoming, but had not yet become, the icons of the American songbook we now know them to be. Highly recommended."-Jim Lovensheimer, author of South Pacific: Paradise Rewritten

"Symonds writes engagingly and colorfully, yet with exhaustive research and expertise, about these lesser-known shows and the personalities that created them; scholars and fans alike will benefit from this much-needed study of Rodgers and Hart's early years. He upends the narrative of how the Broadway musical became 'integrated,' arguing that having songs fit plots and serve characters was as much a response to external pressures - from critics, producers, and a sense of America's struggle for identity - as an artistic pursuit. Full of context and history, this study also pauses to dig into the material; this book is worth reading just to watch Symonds examine 'Thou Swell' from every conceivable musical and cultural angle."-Jessica Sternfeld, author of The Megamusical

About the Author Dominic Symonds is Reader in Drama at the University of Lincoln and founding editor of the journal Studies in Musical Theatre. He is also a director and writer for musical theatre.


We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds

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2 of 2 people found the following review helpful. Brilliant, insightful work By LFrankos A masterful study of the early years of Rodgers and Hart. Symonds places the duo's work in historical context, charts the evolution of their songcraft, and notes the constraints of the era and their producers. Each show is analyzed in compelling detail. I would have paid full price for the chapter on 1928's CHEE-CHEE alone. Also fascinating--seeing how Richard Rodgers' contemporary views of this period (in letters and interviews) clashed with his 1975 autobiography. As part of Oxford University Press' Broadway Legacies series, it does assume a certain level of erudition on the part of the reader. I can't wait for the next volume on the later years of their career.

0 of 0 people found the following review helpful. At the Beginning By ilprofessore Dominic Symonds has written a most entertaining and yet scholarly book about Rodgers and Hart's early years; particularly interesting are his chapters about their now forgotten London shows, most of whose songs are rarely played or sung anymore. Symonds also draws our attention to the now forgotten contribution of their college friend Herbert Fields, brother of the lyricist Dorothy, who wrote the books for many of their early shows and encouraged their experiments musically and dramatically. What emerges here is not the now commonly accepted picture of the business-like but rather methodical Rodgers putting up with the unreliable alcoholic homosexual Hart, but a more three-dimensional depiction of two hard-working theater professionals, young men on the rise, learning their craft and enjoying the good life, together. The young Rodgers, always in the shadow of Gershwin, longed to be taken more seriously as a musician. Symonds shows that he may have studied composition secretly in Europe on his many trips abroad, but chose never to publicize it. The fun-loving Hart, the quintessential New Yorker, comes off here as someone without pretension, perfectly content to enjoy all that early success afforded him but dedicated to advancing the standards of the musical theater. Not quite the Gilbert & Sullivan symbiosis, the odd couple, as often depicted in recent biographies. True friends and collaborators, as their music demonstrates.

2 of 4 people found the following review helpful. Heavy - and worth every pound! By Joseph Hart I am nearly finished with this book, I've been writing comments as I go, an odd way to review a book, but I'm doing this because simply I keep thinking of things I want to say about what I read, and I am bursting to say them, and also know that if I don't get them out on the spot, I will just forget them. And I want to say here and now that this is a very difficult book to read. Names long dead (major and minor) are discussed as though they might show up in the morning news. Plots and all their revisions (their evolution) before the show reaches Broadway are described, practically down to who enters stage-left in Act Two and why. And a knowledge of what is called music theory is required to get through the analyses of Rodgers music and it's place in American music, Though according to Symonds, the creation of purely American music (as opposed to European - Herbert, Friml, Romberg) started around 1900 with Kern, Berlin and Gershin. Rodgers began in the mid-20s,, though Symonds says that Rodgers finally led the way in creating what became American popular music - don't turn on your radio to hear it, it has been completely obliterated - the evolution became a devolution - I have asked several people the past few weeks - Rodgers is unknown, his songs with Hart are unknown, even his shows with Hammerstein draw a blank - even the infamous (right word) "Sound of Music" is unknown. However. What I intended to say is that the fact that most of Symonds' book is over my head does not make it an inferior book. It is scrupulously researched, loaded with info that many people CAN understand, plainly written, but for all that, is in no way smug or condescending.I probably will not buy the sequel - not that is if it takes up after 1943 and continues with Hammerstein. I have no more interest in Oscar Hammerstein's lofty sentiments than I have in Hart's sex life.I think this book is wonderful. Why is it always the the British who are doing this? Thumb through Amazon's reissues of old musicals, and see how many come from England. I am not finished with this book (just finished an exhaustive and exhausting discussing of "Dearest Enemy") and have some things to say. I assume this author like his publisher (Oxford) is English. His devotion to America is unbelievable. "Dearest Enemy" was inspired by an incident in American history, but beyond that is patriotic ("revisionist") fiction. The author tells the plot of the show (including the original plot and first two tentative titles), and also tells exactly what did take place in history. Then justifies the changes, both musical and national justifications. One reviewer (apparently paid for for his opinion) happens to be right. There is much music theory in this book. One thing about that. The author explains the use of arpeggios in several of Rodgers' tunes. Sondheim's only hit is all arpeggios. Also someone in the 20s (antedating Sondheim's identical remark) commented that Hart cared more about how he said a thing than he did about what he said. I disagreed when Sondheim said that, and I still disagree. Glimpses of R&H's private lives come in, but this sort of thing is not the kind of biography this is. It is a history of their work, not their lives and personalities. Nolan (2 books) and Rodgers' autobio are the places to go for that and other human interest. Still there is some interesting facts in it - like Helen Ford's devotion to the show and her conviction that her entrance (naked except in a barrel) would make a star of her.It is though a wonderful book. I am not very bright, am told I am very gullible, and am easily snowed. So I don't know how much of what this author says about European music, the encroachment and its supplanting by jazz (I never did know what jazz is), the syncopation, sexuality and hyper-Americanism of jazz - in general his explanation of the creation of purely American music (which has certainly been stamped into oblivion now) is true, and its evolution, and its greatest exponent being Rodgers himself - is true and is demonstrated by his analysis of Rodgers' music, especially his tunes. However the actual beginning of American music (as opposed to European) was all new to me and fascinating. It all started with Kern, Berlin and Gershwin - who all went before Rodgers. And some of Romberg's songs were put in one of RH's earliest shows (before The Garrick Gaeties). RH didn't know that had been done, incidentally, til they went to opening night! His discussion of Hart and his (early) debt to GS of course is easy to understand and up to a point, believe. One last note on the theater's Americanism - and the pseudo-factuality of it. The last song in Berlin's last show (and my favorite show of his) - "It's A Great Country" - goes "take a look in your history book and you'll see why we should be proud". well, you may be proud if Texas achieves its intention to rewrite American history books. Not otherwise.I'm writing this several days later after reading over half the book, into "Conn Yank". There is practically no human interest in it at all. Just endless lists of names I never heard of, dates before my time, and descriptions of plots and revisions. The least boring thing I've read so far is a synopsis of Twain's "Conn Yank" - I never read the Twain. And I had no idea it was such a violent bloodbath. I never thought Twain could or would write such a thing, even as a satire. I doubt I'll finish reading this book. The best word to describe it is DENSE. The onrush of information never leaves off for a minute. I won't buy the sequel.It's a few days later. This is a very odd way to review a book. I'm almost finished with "Chee-Chee", RH's scandalous flop. "Chee-Chee" as I suppose most people know is a show about castration. As usual, the author goes into exhaustive plot detail, and it is almost impossible to read. Just before this, in his discussion of "Conn Yank", he gives another very technical analysis of Rodger's music. The chapter on "Chee-Chee" however has one thing going for it. The author gives some very salacious info on the sex habits of some important people (Porter, Woolley, Hart, West), and also a discussion of sex and homosexuality in shows of the late 20s. The National Enquirer couldn't had written this any better. Though I'm not a prude, had some idea of these things already, and am gay myself, I found this chapter very upsetting.But apparently "Chee-Chee" needn't have been the flop it was. The producer seems to have got cold feet and closed it after 31 performances. But the main (if not only) critical objection to it was the subject matter, not the quality of the show, exactly as the case with "Pal Joey", hardly a bad show. And in fact, about this same time Mae West was jailed for a short time on a morals charge for her show called merely "SEX". Most of the critics (reliable ones) liked it very much, praised its daring and much to Rodgers delight, praised its "sung-through" structure, a thing Rodgers was aiming for (and brought off in his movies). Rodgers at the time of the show was clearly very happy and excited about "Chee-Chee". It wasn't until his auto-bio many years later that he disowned and repudiated everything about the show, laying the blame for it (if I remember) squarely on the influence of Hart and his trashy lifestyle, friends and taste.According to Symonds there were only six full-length songs in the show, but many short musical bits Many years ago Betty Comden recorded onto LP five of these songs (she did not sing the sixth, called "The Tartar Song"). I have the LP. I've never found it on CD. The critics liked the music very much, saw Rodgers in his prime, and Hart at his "showy" best. On the other side of Comden's LP are songs from an unsuccessful Gershwin show, "Treasure Girl". I have never liked the Gershwins and know nothing about these songs or the show. But I do remember one stanza from an Ira lyric that I love - "Did you pick/That cravat?/You did that?/Here's your hat./I don't think I'll fall in love today."Stepping back a second from Symonds' book, American blue laws, history. Fields' closing the show, the opinions of the critics - pro and con, Rodgers' unexplained change of heart about the show, Hart's so-called "trashy friends and taste" etc. etc - and looking at the thing for myself - castration and its function in this plot are a new and clever idea for a musical. That's all. I never saw the show (according to Symonds it was recently revived) and have heard only 5 songs from it. Also, this may come later, Symonds hasn't mentioned it, but Rodgers said in his auto-bio that it tickled him to work a few bars from Tchaikovsky's "Nutcracker" into the score, and it delighted him even more when several people in the audience laughedOne last word on "Chee-Chee". It was neither a bad nor unsuccessful show. Fields closed it out of fear of the new and newly enforced censorship of shows in NYC. The law (called "the padlock law") was that any producer found "guilty" of "indecency" (sex) in court, was forbidden to use his theater for a year. This frightened even the likes of Billy Rose and the Shuberts. Mae West had a show in a theater very close to "Chee-Chee", and that alarmed Fields as well. Also, according to Symonds, Fields specialized in "family entertainment".The final chapters and sections talk about people, not plot revisions and the importance of dotted quarter notes. It includes Rodgers' envy of Gershwin and his attempt to do what he did (no better way to say it), a jealousy that went away when Gershwin died, and the Hollywood explosion which attracted RH because their shows were no longer brilliant (I have recordings of nearly all these "inferior" songs and without exception I like them very much).

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We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds
We'll Have Manhattan: The Early Work of Rodgers & Hart (Broadway Legacies), by Dominic Symonds