Great Acting Teachers and Their Methods, by Richard Brestoff
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Great Acting Teachers and Their Methods, by Richard Brestoff
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With clarity and insight, Richard Brestoff introduces the great acting teachers, explaining their techniques and how ther are applied today. Beginning with Quintilian and Delsarre he guides us to the present with an inside look at what is currently being taught in the major acting schools and private acting studios; The Actor's Studio, Yale University, NYU, Juillard and many more are visited. Great Acting Teachers and Their Methods will help you understand the most important ideas about acting, where they originated and how they are used in training programs today. Some of the teachers focused on are Stella Adler, Stanford Meisner, Lee Strasberg, Brecht, Stanislavsky, and Suzuki.
Great Acting Teachers and Their Methods, by Richard Brestoff- Amazon Sales Rank: #590142 in eBooks
- Published on: 2015-03-09
- Released on: 2015-03-09
- Format: Kindle eBook
Review ..each program is discussed and evaluated with specific teachers and types of training techniques offered --The Coast Book Review Service February 1996
About the Author Richard Brestoff is an Assistant Professor of Drama in the Claire Trevor School of the Arts at the University of California, Irvine. He is an actor with credits on Broadway, Off-Broadway, in regional theater, and in film, television and radio. He is the author of The Camera Smart Actor, The Great Acting Teachers and Their Methods, Acting Under the Circumstances, and most recently, The Actor's Wheel of Connection.
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Most helpful customer reviews
30 of 30 people found the following review helpful. a great overview of how acting has been--and is--taught By boberich@aol.com Anyone interested in a well-written and accessible overview of the evolution and current status of the methods of training actors could not do better than to get this book. Richard Brestoff has clearly done a thorough job of research. He seems to have trained under practitioners of virtually every extant training system, and presents them in a way which is both entertaining and readily understood, even by those with little or no background in theater or film. The final section of the book, with concise descriptions of many of the available sources of training in the United States, would be of great value to any student who wants to pursue an acting career. It is not easy to present a great deal of solid information and maintain a lively, readable style, but this writer has done it. I suspect that even those with no professional interest in acting would enjoy the book. Professional actors will come away from it with renewed respect for their art and rekindled dedication ! to improving their craft.
8 of 9 people found the following review helpful. Great book By Cheremoya Beachwood I enjoyed every minute of this book. It was hard to put down. I actually have to buy another copy because the person who borrowed it from me swears I gave it to him.Information needed for anyone in the performing arts.
4 of 4 people found the following review helpful. The Must-Have Book for Thespians By Karl G I usually don't write reviews about instruction manuals and "self-help" books, but this book was one that actually, truly, spurred me to sit up, turn on my computer and begin typing out this review u see here.Richard Brestoff has given a very detailed history and elaboration of the different styles of acting, starting with ancient historical methods to the well-known Stanislavsky, to alternate, modern approaches like Artaud, Brecht and Adler.Brestoff, however, uses characters as some form of personae, and loves to change topic sentences quite jarringly, making the narrative quite frustrating to read. However, overall it is clear that he does know his stuff quite well, and though he tries at times (sometimes unsuccessfully, sometimes successfully) to make the concepts more interesting, it is also clear that he should just stick on making his passion for acting shine through his writing.A must-have book for all lovers of theatre, especially if you're a thespian!
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