Jacob Lawrence: The Migration Series, by Elizabeth Alexander
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Jacob Lawrence: The Migration Series, by Elizabeth Alexander
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In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the mass movement of black Americans from the rural South to the urban North that began in 1915–16. Within months of its making, the Migration Series was divided between The Museum of Modern Art (even-numbered panels) and the Phillips Memorial Gallery (odd-numbered panels). The work has since become a landmark in the history of African American art, a monument in the collections of both institutions and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, the panels will be reunited in exhibitions at The Museum of Modern Art (One-Way Ticket: Jacob Lawrence's Migration Series and Other Works) and at The Phillips Collection (Jacob Lawrence's Migration Series). This catalogue grounds Lawrence's Migration Series in the cultural and political debates that shaped the young artist's work and highlights its continued resonance for artists and writers today. An essay by Leah Dickerman situates the series within contemporary discussions about black history and an artist's social responsiblities in the late 1930s and early 1940s. Elsa Smithgall traces the acquisition and exhibition history of the Migration Series. Short commentaries on each panel explore Lawrence's career and technique, and the social history of the Migration. The catalogue also debuts ten poems commissioned from acclaimed poets that respond to the Migration Series. Elizabeth Alexander, honored as the poet at President Obama's first inauguration, introduces the section.
Jacob Lawrence: The Migration Series, by Elizabeth Alexander- Amazon Sales Rank: #391593 in Books
- Published on: 2015-03-28
- Original language: English
- Number of items: 1
- Dimensions: 12.40" h x .90" w x 9.80" l, .92 pounds
- Binding: Hardcover
- 192 pages
From School Library Journal YA-Full-color, full-page reprints of the 60 dramatic paintings of Lawrence's "Migration Series" fill half the pages of this catalog for the traveling exhibition. The text includes essays by various historians who relate the series to the time period and supply critical material about the painter's work. Quotations from Lawrence himself are particularly meaningful. Excellent black-and-white reproductions illustrate the historical and cultural part of the book and include a portrait of the artist. Beautifully printed and illustrated, the book will be useful for art classes or YAs interested in black history.Linda Sudduth, W.T. Woodson High School, Fairfax, VACopyright 1994 Reed Business Information, Inc.
Review Thus, for many readers, the most powerful pages will inevitably be the 60 panels themselves, the deceptively childlike distillation of history and of the hopes and dreams propelling the movement that produced him. This family of images are together again as Lawrence wished them to be, as enduring now as the day he set them on gesso. (Isabel Wilkerson The New York Times Book Review)Two impressions stand out. One is the terrifying obstinacy of racial injustice on the eve of the Second World War. The other is the moral grit that was needed to overcome it. In context, "Migration" appears as a hinge of the national consciousness: inward to the untold history of African-Americans and outward to the enlightenment of the wide world. It would not have worked were it not superb art, but it is. Melding modernist form and topical content, the series is both decorative and illustrative, and equally efficient in those fundamental, often opposed functions of painting. (Peter Schjeldahl The New Yorker)Lawrence used a deceptively simple structure – 60 small tempera paintings, each with its own caption – to tackle difficult political subjects, from bias in the criminal justice system to race riots in St. Louis. Many of the panels feel particularly resonant today. (Julia Halperin The Art Newspaper)Since 1941, when the renowned African-American painter Jacob Lawrence unveiled The Migration of the Negro, the 60-panel masterpiece has been divvied up between New York City's Museum of Modern Art and the Philips Collection in Washington, D.C., and has rarely been viewed in its entirety. For the first time in 20 years, the paintings–scenes from the decades-long exodus from the rural Jim Crow South to the industrial North–will be reunited at MOMA as the centerpiece of the can't-miss exhibition "One-Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North." (The Editors Details)
About the Author Leah Dickerman is Associate Curator of Modern and Contemporary Art, National Gallery of Art.Leah Dickerman is Associate Curator of Modern and Contemporary Art, National Gallery of Art.Elizabeth Alexander was born in New York City and grew up in Washington, DC. Her collections of poetry include American Sublime, Antebellum Dream Book, The Venus Hottentot, and Body of Life. Her poems, short stories, and critical writing have been widely published in such journals and periodicals as the Paris Review, American Poetry Review, The Village Voice, and The Washington Post. She teaches in the English and African American Studies Departments at Yale University.Author BioJacob Lawrence is a prominent American painter whose career spans six decades. He is known for several sequences of narrative paintings, including "Harriet Tubman" and "Frederick Douglass." Lawrence is the illustrator of Harriet in the Promised Land, a picture book. He is Professor Emeritus of Art at the University of Washington, Seattle.
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Most helpful customer reviews
8 of 9 people found the following review helpful. A great book on a great topic By Frederick Levy This is a wonderful series of paintings on the Great Migration of African-Americans who moved from the old Confederacy to the north and west in enormous numbers between 1915 and 1965. The full series is seldom seen as a whole and this book, with excellent reproductions, is a great way to do so. It could usefully be read in conjunction with "The Warmth of Other Suns" by Isabel Wilkerson.
5 of 5 people found the following review helpful. North toward home By Stephen J. Whitfield This book is magnificent, and by giving the reproductions enough space to heighten the simplicity and even sparseness of the lives of the rural black Southerns who trekked north in search of economic opportunity and relief from the fear that Jim Crow instilled, this volume is a great aesthetic achievement.
4 of 4 people found the following review helpful. A View of Jacob Lawrence By g I have Jacob Lawrence prints in my home and was delighted to have a collection of them in two formats: hardback and paperback. The books were especially important, because my grandchildren were coming to visit and have always been intrigued by the pictures. I gave the paperback to them to take home. The colors and representations captivate them. My grandson loves the story of John Henry who had been introduced to him by his father and quickly identified the pictures in the books that he could associate with John Henry. My granddaughter wants to be an artist someday, and so spends a great deal of her time drawing forms and shapes. Jacob Lawrence's use of color to suggest form and shape was ideal for her.For me, the pictures are reminiscent of the stories I heard as a child and the events that I witnessed. For these reasons Jacob Lawrence's work has always resonated with me. Of course his talent and skill as an artist are the basis for any consideration of his work.
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